雾雨和乡愁一论《野果之歌》的乡土空间建构

雾雨和乡愁一论《野果之歌》的乡土空间建构

Fog, Rain, and Homesickness: On the Construction of Local Space in "TheNight Rain South Township"

作者: 雷志成(西北师范大学，甘肃兰州730070)

关键词: 《野果之歌》;乡土情怀;情感隐喻;空间建构  "The Night Rain South Township"; local sentiment; emotional metaphor; spatialconstruction

摘要:在当代中国文艺创作对文化根脉与身份认同的探寻中，"地方性"已然成为核心维度之一。<<野果之歌>>是由青年导演李斌彬执导的中国大陆剧情片，该片讲述小镇青年陈羽阔别多年后回到大巴山故乡，通过接触大爸以及乡邻见证了小镇人事变迁的故事。影片以"雾雨朦胧"为核心视觉标识，将陕南地域风貌转化为兼具"地理属性"与"情感温度"的乡土空间，为当代乡土电影的空间叙事提供了独特范例。

Abstract:  In the contemporary exploration of cultural roots and identity in Chinese literary andartistic creation, "localism" has become one of the core dimensions. "Song of Wild Fruits" is aChinese mainland drama film directed by young director Li Binbin. The film tells the story ofChen Yu, a young man from a small town, who returns to his hometown of Daba Mountain afteran absence of many years. Through his interactions with his father and neighbors, he witnessesthe changes in the town's people and affairs. With "misty and rainy" as its core visual identity, thefilm transforms the regional scenery of southern Shaanxi into a local space that combines"geographical attributes" and "emotional warmth," providing a unique example for the spatialnarrative of contemporary local films.

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