空间叙事视域下《野果之歌》的乡土文化想象

空间叙事视域下《野果之歌》的乡土文化想象

The Rural Cultural Imagination of "The Song of Wild Fruits" from thePerspective of Spatial Narration

作者: 李泽奇(西北师范大学，甘肃兰州，730000)

关键词: 关键字:空间叙事学;乡土文化;《野果之歌》 Spatial Narratology; Vernacular Culture; Song of Wild Fruits

摘要:在影视创作过程中，空间不仅是叙事展开的物理背景，更是一种叙事主体，通过其相关的物理空间叙事、社会空间叙事以及精神空间叙事等来传递影片关键信息、推动情节发展，又潜移默化地影响影片中人物的行为逻辑以及心理状态。这种空间与叙事的动态交织关系，为学者去分析当代电影提供了重要视角以及理论维度。电影《野果之歌》中的空间绝非简单进行场景设置，而是在物理空间的叙事功能、社会空间的建构功能以及精神空间的表达功能之间进行具有张力性的对话和展现敏捷的思维逻辑。男主人公在面对"留守与漂泊"的抉择时，一直受到空间的影响与规训。本文基于空间叙事理论来剖析主人公陈羽的选择和精神突围，探讨人们对于现代文明和乡土文明之间的抉择的问题。

Abstract:  In the process of film and television creation, space is not only the physicalbackground for the development of the narrative but also a narrative subject. It conveys keyinformation of the film and promotes the plot development through physical space narrative,social space narrative, and spiritual space narrative, etc., and subtly influences the behaviorallogic and psychological state of the characters in the film. This dynamic interweavingrelationship between space and narrative provides an important perspective and theoreticaldimension for scholars to analyze contemporary films. The space in the film "Song of WildFruits" is not merely a simple setting of scenes, but rather a tense dialogue and agile thinkinglogic among the narrative function of physical space, the construction function of social space,and the expression function of spiritual space. The male protagonist is constantly influenced anddisciplined by space when facing the choice between "staying behind and drifting".This articleanalyzes the protagonist Chen Yu's choice and spiritual breakthrough based on the theory ofspatial narrative, and explores the issue of people's choice between modern civilization and rural civilization.

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