巴山漫雾霭，野果映乡愁《野果之歌》的纪实诗意与乡愁表征

巴山漫雾霭，野果映乡愁《野果之歌》的纪实诗意与乡愁表征

Mist Shrouds the Bashan Mountains, Wild Fruits Mirror Nostalgia:Documentary Poetics and the Representation of Nostalgiain Ballad of Wild Fruits

作者: 潘天宁(西北师范大学，甘肃兰州730000)

关键词: 国产"返乡"电影;乡愁;叙事空间;身份认同 Domestic "homecoming" movies; nostalgia; Narrative space; Identity

摘要:大规模、高速度的城市化进程，带来了农村人口大规模的外流，导致了乡土社会瓦解与人际关系疏离的社会隐痛，远走他乡的游子面临着央在故乡与他乡间无法找到身份认同的精神困境。这种精神困境激起越来越多的中青年群体返乡热潮，也推动了"返乡"主题的影像生产，由青年导演李彬斌执导的影片《野果之歌》，以大巴山为背景，展开了一段在故土乡愁、代际变迁中，离乡青年找回身份认同的深沉叙事，本文通过对影片视听语言、叙事空间以及人物群像三方面的浅析，探究了现代影视美学下对新时代乡愁的诗意化表达。

Abstract:  The large-scale and accelerated process of urbanization has triggered an exodus ofrural populations, producing latent social tensions manifested in the fragmentation of ruralcommunities and the erosion of interpersonal relationships, Migrants who leave their hometownsare often caught between their places of origin and urban destinations, experiencing a conditionof spatial and existential displacement marked by an ongoing crisis of identity. In recent years,the phenomenon of "returning home" among young and middle-aged groups has attractedsustained social attention and generated a wave of cinematic productions centered onhomecoming narratives.Situated in the Daba Mountains, The Ballad of Wild Fruits, directed bythe young filmmaker Li Binbin, constructs a reflective visual narrative in which displaced youthnegotiate identity reconstruction amid homeland nostalgia and intergenerational transformation.Through an analysis of the film's audiovisual language, narrative space, and ensemblecharacterization, this paper examines how contemporary Chinese cinema mobilizes poeticstrategies to articulate a renewed form of nostalgia under the conditions of modern visual cultureand cinematic aesthetics.

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