《哪吒之魔童鬧海》的微觀敘事散論

《哪吒之魔童鬧海》的微觀敘事散論

丁家珍

摘 要：《哪吒之魔童鬧海》已然達到“國漫崛起”的全新高度，從劇情設計到整個視聽表現都精彩絕倫，探究而來，可溯源至其敘事機制的“燃情”。這種燃情性的“內核”在於電影本身蘊含著豐富多元的“民族性”文化動因。因此對電影的文本內涵進行探究無疑頗具意義。本文擬從民族文化符號及精神的顯影、敘事的矛盾轉折與“替代的滿足”、現實隱喻幾個方面對影片進行探討，旨在為未來國產動畫電影的創作及相關理論建構提供一些參考。

關鍵字：民族文化符號 民族精神 矛盾轉折 隱喻

A Micro-Narrative Analysis of Nezha Conquers the Dragon King

DING Jiazhen

Abstract：Nezha Conquers the Dragon King marks a peak in Chinese animation. Everything from its plot design to its overall audiovisual presentation is outstanding. A closer examination suggests that this success can be traced to the “affective intensity” of its narrative mechanism. The “core” of this burning is that the film itself contains rich and diverse cultural motives of “nationality”. Therefore, it is undoubtedly of great significance to explore the text connotation of the film. This paper intends to discuss the film from the aspects of the development of national cultural symbols and spirit, the contradictory turning point of narrative and “satisfaction of substitution” and its realistic metaphor, aiming at providing some reference for more creation of domestic animated films in the future and the construction of related theories. 

Key words：Ethnic cultural symbols; National spirit; Contradictory turning point; metaphor

DOI：10.68079/morwysyj.2026.3.11  【原文下載】【Download PDF】