音樂表演研究的學科基礎與發展趨勢

音樂表演研究的學科基礎與發展趨勢

楊健

摘 要：音樂表演研究是近年來音樂學領域中具有鮮明交叉學科特徵的重要方向，在錄音技術、數字媒體與人工智能快速發展的背景下持續拓展。本文首先梳理其三重學科基礎：歷史知情表演對風格觀念的重塑，分析與表演研究對樂譜結構與實際音響關係的揭示，以及心理學實證方法對表現力、練習機制與舞臺焦慮等問題的推動；進而考察中國音樂表演研究的發展脈絡及其與國際學界的方法差異，分析該領域由人文闡釋向科學實證、可視化分析與實踐應用拓展的全球趨勢。中國音樂表演研究或可在吸收國際前沿理論與方法的同時，立足自身表演傳統、教學體系與數字資源積累，形成更具主體意識和實踐支撐的學術路徑。

關鍵字：音樂表演研究 表演科學 歷史知情表演 實證方法 新文科

Disciplinary Foundations and Development Tends of Musical Performance Studies

YANG Jian

Abstract: Musical Performance Studies is an interdisciplinary field that has expanded rapidly alongside recording technology, digital media, and artificial intelligence. This article outlines its three disciplinary foundations: historically informed performance and its reshaping of stylistic concepts;analysis-and-performance research linking score and sound; and empirical psychological research on expressivity, practice, and performance anxiety. It then reviews its development in China, itsmethodological differences from international scholarship, and the global shift from humanistic interpretation towards empirical methods, visualization, and practical application. Chinese Musical Performance Studies could draw on international theories and methods while building on its ownperformance traditions, educational systems, and digital resources, forming a more independent and practice-grounded scholarly path. 

Key words: Musical Performance Studies; Performance Science; Historically Informed Performance;Empirical Methods; New Liberal Arts

DOI：10.68079/morwysyj.2026.3.03 【原文下載】【Download PDF】