雙重身份與歷史仲介：《黃河鋼琴協奏曲》在中國現代化進程中的角色與意義

雙重身份與歷史仲介：《黃河鋼琴協奏曲》在中國現代化進程中的角色與意義

王祺 周全

摘 要：《黃河鋼琴協奏曲》是 20 世紀中國代表性鋼琴作品，深刻反映中國現代化與國際化進程中的文化轉型。本文結合政治史、音樂史、國際關係史與音樂分析跨學科視角，審視該作品在中國近現代史的歷史地位。研究認為作品具有“雙重身份”：一方面，作為文革時期樣板作品，以革命敘事、集體主義表演規範及高度政治化音樂語言服務國家意識形態；另一方面，它又是一部建立在西方鋼琴協奏曲體裁、功能和聲與交響樂配器基礎上的現代西方體裁作品。這一雙重屬性令其突破“文革”對西方音樂的禁忌，成為中國音樂現代化的節點。憑藉對西方音樂語言的兼容性，它是首部登上國際交響樂舞臺的中國管弦樂作品，在 20 世紀 70 年代中國外交與文化交流中發揮關鍵作用。該作品既是革命意識形態的象徵，也是中國文化現代性與國際化的歷史媒介。

關鍵字：《黃河鋼琴協奏曲》 音樂現代化 中西音樂交流

Dual Identity and Historical Mediation: The Significance of the Yellow River Piano Concerto in China’s Modernization Process

WANG Qi ZHOU Quan

Abstract: As one of the representative piano works of twentieth- century China, the Yellow River Piano Concerto embodies the broader cultural transformation associated with China’s modernization and internationalization. Drawing upon interdisciplinary perspectives, this article reexamines the concerto’s historical position within modern Chinese history. It argues that the work possesses a “dualidentity.” On the one hand, as a model work of the Cultural Revolution, it functioned as a highly politicized artistic product that conveyed revolutionary ideology through collective performance practices, nationalist narratives, and socialist aesthetics. On the one hand, as an example of the Cultural Revolution, it functioned as a highly politicized artistic product that conveyed revolutionary ideology through collective performance practices, nationalist narratives, and socialist aesthetics.Moreover, it remained fundamentally grounded in the Western piano concerto tradition through its harmony, orchestration, virtuosic piano writing, and large-scale concerto structure. This contradiction enabled the concerto to transcend ideological restrictions and become a mediator in the continuation of Chinese musical modernity. Through diplomatic performances and cultural exchanges, the work played a significant role in China’s reengagement with the international community during the Cold War era. Ultimately, this study argues that the Yellow River Piano Concerto should beregarded not merely as a revolutionary musical work, but as a historical mediator that connected ideology, cultural modernity, and international diplomacy in modern China. 

Key words: Yellow River Piano Concerto; Musical Modernization; Sino-Western Musical Exchange

DOI：10.68079/morwysyj.2026.3.04  【原文下載】【Download PDF】