白蛇传电影改编中小青人物形象的历史流变与文化阐释
The Historical Evolution and Cultural Interpretation of Xiaoqing's CharacterImage in the Film Adaptations of The Legend of the White Snake
作者: 冉江江(西北师范大学，甘肃兰州，730000)
关键词: 白蛇传;小青;形象流变;跨媒介改编;主体觉醒;女性主义 The Legend of the White Snake;Xiaoqing; image evolution; cross-media adaptation;subjective awakening; feminism
摘要:作为中国民间四大传说"白蛇传"的核心辅助角色，小青的人物形象在近千年的跨媒介叙事流变中，完成了从"工具性附属存在"到"主体性反叛者"的范式转型。自明代文本中的忠诚婢女，到二十世纪影视改编中个性萌芽的辅助者，再到二十一世纪跨媒介作品里承载女性独立意识的核心主角，小青的形象演变不仅敏锐呼应了不同时代的社会文化思潮，更折射出民间文学经典在媒介迭代中的现代性转化逻辑。通过文本溯源与影视改编具体案例分析，结合民间文学理论与女性主义批评视角，系统梳理出小青形象"附属存在一个性萌芽一主体觉醒"的三重流变轨迹，剖析其形象变迁背后的文化动因、媒介赋能与价值重构机制，揭示传统IP通过人物形象革新实现跨时代情感共振的内在规律。
Abstract: As a core supporting character in The Legend of the White Snake, one of China's Four Great Folktales, Xiaoqing's character image has undergone a paradigmatic transformation froman "instrumental subsidiary existence" to a "subjective rebel" in the millennium-long cross-medianarrative evolution. From a loyal maid in the texts of the Ming Dynasty, to an assistant withbudding individuality in the film and television adaptations of the20th century, and then to a coreprotagonist embodying female independent consciousness in the cross-media works of the 2lstcentury, the evolution of Xiaoqing's image not only responds keenly to the social and culturaltrends of different eras, but also reflects the logic of modern transformation of classic folkliterature amid media iterations. Through text tracing and case analysis of film and televisionadaptations, combined with the perspectives of folk literature theory and feminist criticism, thispaper systematically sorts out the three-stage evolution trajectory of Xiaoqing's image-"subsidiary existence, budding individuality, and subjective awakening"analyzes thecultural motivations, media empowerment, and value reconstruction mechanisms behind theimage changes, and reveals the inherent law of how traditional IPs achieve cross-era emotionalresonance through the innovation of character images.
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